The Original Website of Screen Actors Guild

When: Monday, November 16, 2009, 6 p.m.
Where: Salt Lake Studios
1747 S. 900 West
Salt Lake City, UT 84104
Featuring: Utah Film Commission Director Marshall Moore. Plus, a tour of Salt Lake Studios.
Also, this is your opportunity to:
• Catch up on the latest news and find out first hand what’s coming into the state.
• Learn more about how SAG covers work for film, television and new media.
• And meet your newly elected leaders.
No RSVP is necessary. For the tour and presentation by Marshall Moore, members of the performing community who are not yet members of SAG also are invited to attend. A SAG-only membership meeting will follow immediately afterward. Only currently paid-up members will be admitted. Please bring your membership card paid through October 30, 2009. Parents/guardians of SAG young performers under 18 are welcome to attend the membership meeting.
About Salt Lake Studios:Salt Lake Studios has hosted film productions of High School Musical 3, the National Lampoon franchise and S. Darko.This fantastic facility boasts the largest green screen in the western U.S.
About Marshall Moore:Before Marshall Moore joined the Utah Film Commission, he worked extensively as a location manager. His work on the miniseries The Stand, based on the novel by Stephen King, brought him to Utah from Los Angeles.
UNEMPLOYMENT LIFELINE
In our business being out of work is nothing new. But everywhere you go, hardworking families are struggling to get by, and too often, they don't know where to turn for help. That's where the Unemployment Lifeline comes in.
Sponsored by Working America and the AFL-CIO, Unemployment Lifeline is a one-stop guide that links workers to the resources in their area—from unemployment offices to veterans' services to child care. It also offers the opportunity to talk to others and share support and lessons learned. On this site you can find local resources, discussion boards, cost saving tips and advice.
The site is still new and new resources are constantly being added. Make sure you pass this resource on to your friends and family members who could use some help.
ARE YOU MISSING OUT?
If you are not registered online at SAG.org, do it today. Once you’ve registered and logged-in as a member, you can:
• Check your television and theatrical residuals.
• Pay your dues online.
• Confirm current day rates.
• View contracts, career seminars and workshops.
• Stay current with your local Branch events.
• Update your contact information.
• Create your online resume in iActor.
It’s all right here. Remember, if you’re not using SAG.org regularly, you’re missing out.
NEW TECHNOLOGY: Q & A FROM THE COMMERCIALS DEPARTMENT
Q: I saw my commercial on an advertiser’s Facebook page and I received payment for Internet use. However, I can now access that same Facebook page from my iPhone. Should I also receive a new media use payment?
A: The Facebook application on your iPhone obtains content through a web browser, so the use is still considered Internet use, even though you are viewing the content on your cell phone. You would not receive a new media use payment for this.
Q: A magazine inserts a video chip into one of its issues. The video chip, when activated, plays a commercial. How is this paid?
A: This is paid under the Commercials Contract as new media use. The concept is the same as a birthday card that plays a song when you open it, except that instead of an embedded tune, there is an embedded commercial with moving footage.
ILCA HONORS SAG
COMMUNICATIONS
Screen Actors Guild has been recognized for communications excellence by the International Labor Communications Association. The Guild won First Place in the International/ National Publications—Magazine category for issues of Screen Actor published last year, as well as Third Place in the Multimedia Campaigns category for the 75th anniversary multimedia campaign. The awards were presented in Pittsburgh in September.
“This is a singular honor that places us at the very top of union communications and we are all quite proud of the achievement,” said SAG Communications Executive Director Pamela Greenwalt, who along with Deputy National Executive Director Pamm Fair, accepted the honor on behalf of the Guild.
Credit for the 75th anniversary win in particular is due to the President’s Task Force on the 75th Anniversary, chaired by former SAG President Kathleen Nolan; task force liaison and staff lead Kathy Connell, who oversaw many aspects of the effort; and all of the division executives and members who developed local and regional programs for the anniversary year.
Candidates recently elected from the Utah Branch are: Anne Sward, president; Paul Mulder, vice president; Kathy Jarvis, secretary; Tracy Scott, treasurer and Cheryl Gaysumas, council member at large. All began serving two-year terms on September 25, 2009. Also chosen to fill one-year terms that began on the same date are Joyce Cohen and DonRe’ Sampson, serving as first and second alternate council members respectively.
Those members elected as officers and council members at large are also elected as alternate national directors who may be called upon to serve at National Board meetings when the National Board member from the Utah Branch is unavailable to attend.
All candidates ran unopposed and were elected without the necessity of ballot vote, pursuant to the Branch Rules of Procedure. Congratulations to them all, and our deep thanks for their willingness to serve their fellow Utah members.
By Anne Sward
I would like to thank the Nominating Committee for their confidence in presenting their electoral slate. The Branch will have a wonderful group of officers and council members representing SAG in Utah. I want to express my heartfelt gratitude to Susan Dolan for the service she gave to our membership during her tenure. Susan is the consummate professional and represented us with intelligence, grace and charm. There are few people who work so tirelessly and with such a firm commitment to this union as Susan. Thank you Susan for all that you do. You will be greatly missed, and yet I know you will be on the side lines, right?
Also, thank you to K.J. Shelton, who has stepped down as Utah Branch treasurer. K.J. has been in this Branch from the very beginning and on council for years. That kind of dedication is hard to find. Council meetings will not be the same without her. K.J.’s historical memory of our organization is tremendous, and she was a part of that history. How can anyone thank someone for this kind of service? K.J., please know you always will be remembered. We all appreciate you for supporting SAG and for being a nurturer in our early days.
So, here we go again. The council will be setting goals and defining who we are. Again, we need to hear from you. We need to hear your concerns and issues and to develop our community as best we can. We will be starting the Utah SAG Conservatory and need volunteers to serve on a committee and help organize the events we have proposed. My e-mail is UtahPresident@sag.org; please contact me if you want to be included in the conservatory, or you can contact me through the office at (800) 724-0767.
These are hard times. Box office is doing fairly well, but investment monies for films is hard to find. Production is down in Utah, but the economy will push forward, and so must we. Until we get another TV series or film, see if you can do the low budget indie films. You can get summaries of the SAG-approved contracts at SAGIndie.org. Always have the conversation of going SAG. Keep in contact with what is going on in town. We must communicate and organize. When filmmakers realize the selection of SAG contracts they are amazed. It is about education. We will continue to have seminars and forums regarding our contracts. Push your agents to get you OPO’s. Again, it is educating people.
We will have our annual meeting on November 16. You must attend. (No really, you must!) There are many industry ”meet and greets” in town now. We get to have our own. It is a good time to get out, compare notes and discuss the issues. More importantly, it is a time to meet and find out who SAG is. I want to be able to put a face on the membership, your face. The council needs to know who you are. Collective bargaining works.
See you in November. Let’s talk.
By Marshall Moore
Utah Film Commissioner
Over the past two weeks, I have had the opportunity to meet with nine members of the Utah film community. The visits have been very enlightening and productive. These meetings have been with crew members, vendors and organizations seeking to understand and learn more about what we are doing to bring more work to Utah and to gain a better understanding about the mission of the Film Commission. I appreciate those who have taken the time to come in and look forward to meeting with those of you who have not yet taken the opportunity.
Recently, the Motion Picture Advisory Committee and the Governor’s Office of Economic Development Board approved the following productions for incentives:
My Girlfriend’s Boyfriend: Completed photography July 2009.
The Letter: Completed photography August 2009.
Area 51: September 2009-November 2009*
John Carter of Mars: November 2009-June 2010*
The Root Beer Christmas: November 2009-December 2009*
High School Musical 4: December 2009-May 2010*
Circle of 8: Approved for incentives in July 2009.
*Includes pre-production.
There will be another production in the cue for incentives at next Thursday’s MPAC meeting along with another under $1 million incentive application for Timed Out. There is currently a total of $12 million still available for appropriation in the current fiscal year, which began on July 1.
We appreciate the efforts of the advisory committee, The Motion Picture Association of Utah and all the members of the Governor’s board for serving tirelessly on behalf of the state of Utah and the Utah film industry. Thank you all for your continued support as we work our way through a very difficult time.
If you would like to come to meet with me, simply contact our office at (801) 538-8740 to set up an appointment.
Thank you and see you on the set.
By Don Livesay
Utah Executive Director
For those who've never read it, the mission statement of Screen Actors Guild reads:
The Screen Actors Guild represents its members through: (A) Negotiation and enforcement of collective bargaining agreements that establish equitable levels of compensation, benefits, and working conditions for performers. (B) The collection of compensation for exploitation of their recorded performances and protection against unauthorized use. (C) The preservation and expansion of work opportunities.
Are we fulfilling our mission?
To answer that question, let me share some exciting things. I see contracts recently re-negotiated being used in hiring our Utah members after a long dry spell. I see growing interest to hire members of SAG in new media projects. I see expanded SAG influence in Utah as we cast our net for new jobs and new members. I see a truly inspired package of state filmmaking incentives geared to increase Utah production like never before—incentives that many Utah SAG members and their colleagues in the business strove hard to deliver. I see a talented and diligent film commission staff fully equipped to coax filmmakers to Utah. And most importantly, I see that same staff eager to listen to our Utah leadership in Screen Actors Guild. Recently Film Commissioner Marshall Moore met with President Susan Dolan and myself and agreed to add “Utah-based talent” to the promo list of the highly skilled personnel available and willing to work. Be encouraged.
But the picture I see is not all rosy. What I’d like to see are more knowledgeable members willing to trust the system and to stand up for what is due them.
Recently, it came to light that some members think they can accept background performer work without a contract, no matter what the contract. In their minds they think that background work is simply not SAG work. They are mistaken. It is true that we don’t cover background performers under SAG film and television contracts in Utah, but we do for industrials and commercials. When you work without a SAG contract in commercials and industrials, whether as a principal or background performer, you violate Rule One.
SAG cannot perform its mission for the benefit of its membership when some of our people undercut those efforts by taking non-union work. No SAG organizer can succeed if, while he or she is beating the bushes trying to find producers to sign an agreement with us, members are taking any job that comes down the pike.
The reality is that our mission cannot be accomplished without our members’ support. If you really want to make a difference, start by communicating to this office and to your elected leadership. If you find out about a project or audition, let us know. Our experience has proved that we can turn non-union projects into union jobs, and you can help. The success or failure of our mission depends on how well all of us are listening to one another, finding answers that work and then standing as one.